There's a large selection of options available - pretty much anything you can find in the menu.īoth the top and front (lens) dials can be customized, as well.
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The ZS100 is highly customizable, with four physical and five 'virtual' buttons to which you can assign functions. Here you can assign functions to the four physical and five virtual buttons on the ZS100. To the immediate right of the EVF is the diopter correction knob, with an eye sensor just beyond that. It may be worth trying out the ZS100 in person to see how you react. Some people are simply not susceptible to this, but others can't ignore it. Something else that field sequential displays bring is 'color tearing', which appears when you blink or pan the camera. By comparison, the Sony RX100 III displays 1.44M-dots (800 x 600) at all times, and the RX100 IV is even higher, showing 2.36M-dots (1024 x 768). Since this is a field sequential display, meaning that the screen rapidly cycles between red, green and blue, you're only seeing about 307,000 dots at any one time, meaning that the effective resolution of the screen is only a bit above 640 x 480. It's small (almost half the size of what's on the Sony RX100 III/IV) and the 1.17 million dot- equivalent resolution is quite low. Its electronic viewfinder is easily the most disappointing feature on the ZS100.
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At right you'll find the mode and top control dials, zoom controller and shutter release, as well as the dedicated movie recording button. Straddling the flash are the ZS100's stereo microphones. One nice thing about the flash is that you can tilt it back with your finger for bounce effects.
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In the center is the pop-up flash (closed here), which has a range of 8m at the wide end of the lens, with the ISO set to Auto. There isn't too much to see on the top of the camera.
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Something else that's common but still frustrating is the LCD's poor outdoor visibility, but that's where having an EVF comes in handy. One thing that bummed us out a bit is that the LCD is fixed, rather than tilting, like on the Sony RX100 III/IV and Canon PowerShot G7 X I/II. It also has a handy Touchpad AF feature, which we'll touch on in the Features section. The usual touch features are all here, including tap-to-focus/shoot, menu navigation, and image playback. Photos can be composed on the electronic viewfinder described below or on a 3" touchscreen LCD with 1.04 million dots. Unfortunately the body material is quite slippery: so hold on tight. Your thumb covers the majority of the buttons on the rear of the camera. The lens dial on our sample ZS100 was difficult to the turn, as well. The ZS100's grip is adequate for the size of the camera, but whatever material Panasonic is using is very slippery and quite the fingerprint magnet.
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The control dials are easy to reach, though buttons are cluttered, especially on the back, where there's little room for your thumb. The ZS100 (left) isn't much larger than the ZS60, which offers three times the zoom but uses a much smaller sensor.Įrgonomics are good overall, there is room for improvement. Unlike its big brother, the FZ1000, the ZS100 has a premium feel, with an all-metal body and stiffer dials. It's not a whole lot bigger than Panasonic's ZS60, which has a longer zoom but smaller sensor.
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The Lumix ZS100 is surprisingly compact given its 1" sensor and long zoom range, and should fit into most pockets.