Since it's a song made with an awareness of the live feel and the tension, I thought i want to create a play that will display a lot of colors, and having done that, I'm quite contented.įor the lyrics, words like "slicing the curtains down", and "the enemies before our eyes.", are they also in line with the awareness of "Bleach"? I think it was a recording made with quite a lot of focus.įor Aki-san yourself, just for your own song, comparatively is the song's approach not clearly distinct?Īki: Yes, I think there's such a thing. It's different from lives, it's a situation where you can't warm up your body just like that, so it's quite difficult. The guitar solo's like that too though, for this kind of song if the number of takes keeps piling up, it'll gradually become worse. Shinji: The tempo's fast and besides it won't do if I don't use down picking. That's why, I don't want to just make the guitar play alone hard to listen to.but physically, it was a lot of trouble. Comparatively, it's a song that's quite straightforward to listen to, but the making of it is subtly complex. Shinji: For me with regards to the song, in the midst of its difficulty, I also felt its flexibility. Because of that, there's a feel to begin practising once again. Yuuya: Recently, about the way to bring in the drums, i've been doing it with much awareness, but when I actually execute it, it kind of shifts. So to go beyond that hurdle, are there any secret strategies to go about fulfilling it? It's a work produced by a new SID, so if we don't add in new fresh colors into it, it won't work for the current SID. From now on, SID will be having more rock songs and if we made them all similar it won't be interesting.
Yuuya: As expected, we thought about powering up the rock feel that Aki brought us. I was very satisfied with how everything forms at the landing.
For the purpose of the demo tape, in order to portray the image i want to show, I properly made it, but I was also given various additional nuances.
By the way, for the composer Aki-san, with regards to the approach for Shinji-san and Yuuya-san, i guess there are areas that you'll want to value?Īki: That too, everything. Showing the increasing purity of the band and yet making it appropriate for a tie-up song is an ideal ne. From way back, I've watched the anime, read the original manga, and the other party also know that, so I guess they are entrusting it all to us. Mao: Lyrics wise, there weren't much asked of us either. Since it's a tie-up song with an anime, on the anime side, were there anything asked of you?
Also, we accepted it as a tie-up song with the anime BLEACH, so taking into account of all these, i thought it'll be good to be able to link all of that into the song. Focusing on the Tokyo Dome performance, it's a song made during the period of song composition. Highlighting the entire rock feel, band feel, "Ranbu no melody" is a song with an especially strong feel of presence.but as expected is this is a song made with an awareness of the first Tokyo Dome performance?Īki: Certainly, there is. <- my random ramblings ( ) <- what's in the article Pokkori_a9 Arena 37CJan 11 SID group interview